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I love this party. Although each year we hear an echo of the usual chorus: "It is a celebration of consumerism ... we always have to copy the Americans .. it is against Christian principles" .. and other similar amenities.

The modern man is afraid of death, tends to remove it .. and also halloween somehow try to exorcise it, playing with it. Halloween is the night of fear .. but then becomes a game, it dresses up, children go from house to house .. and you download the app on i-phone to learn how to carve pumpkins. I say Halloween is good because it helps to be in contact with the idea of \u200b\u200bdeath, let us not forget that as Pasolini said, is the "real life organization." Halloween, which connects with the dark side of us, not to be removed .. this must be taken.

And now some historical:

Traditions Halloween can be traced back to the times of Celts in the British Isles. The Celts were a pastoral people and celebrated the end of the harvest season (transition from summer to winter): Oct. 31 for them was the end of the year and accordingly on November 1 the beginning of a new year . On this night they held big celebrations and welcome the arrival of winter. The Celts believed that
the night of October 31st the spirits of those who died during the year we will be looking for a cover you have for the coming year . I did not want to live in the moment But being possessed by these spirits and then tried to turn their homes into places unwelcoming and transform their bodies with frightening disguises to scare away the spirits who wanted to own them.
The Halloween party was brought in the U.S. around 1840 by Irish immigrants fleeing the potato famine that struck their homeland. Since then, Halloween has been rooted in American culture and is one of the most famous festivals in the country.

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Monthly Cultural

"No Comment "

edition -
November
2005

Article on the novel:

"Tears of the Moon"

Saturday, October 15, in the Hall of Mirrors in the Palace of the City of Giarre (CT ), was presented to public novel Tears of the Moon , written by Angelo and Maria Graziella Grasso.

The work is the twelfth publication in two years that is inserted in the series editoriNproprio wanted by Isidoro Raciti and myself to encourage all literary or artistic creations worthy of disclosure: as evidenced by name, each author is editor of itself. [...] During my report presentanzione sottilineare as I wanted, in the narratives that we presented, the fantasy element is not to allow setup using a sterile or to escape from reality procure an empty hut in a fictional world for a temporary dry alienation, but can serve a temporary expulsion from the limited and limiting environment around us, to suggest another reality, another way to - better than what we live - we enabling of expressing ourselves, to rediscover the taste sensations and feelings that a gray routine likely to tarnish. [...]

The main aspect of the novel is its cultural core, consisting of input from many disciplines subsidiaries:

history, sociology, anthropology (with paleo-linguistic research) , archeology, science, technology, quantum physics politely intrude between the meshes of this work.

It 'just caught this part of the work that differentiates it, raising it by several degrees, from the many stories of "stargate" that proliferate despite their ordinary commonplace in cinemas, on television and in such literature comic strip.

There is another ingredient that flavors the work and the substance of interest and attractiveness: originality, especially in its understanding of semantic content atypical; [...] have the grease, in fact, produced a fascinating novel that can together define the historical, mythological, sci-fi, love and adventure, the reception of the salient features that distinguish these sub-genres.

The narrative develops in a pattern which can not be compared to the usual definitions introduced by the Russian formalists of fabula and plot fact, it creates a dual conducting diachronic plots, divided into two different temporal levels, apart from one another about forty centuries past, the level includes a period of several years, and the future level is circumscribed within a period of a few days, the coincidence between the two times of history is mirrored in the time between the two of the narrative, thanks to the two different synthesis cleverly adopted by the authors. [...]

Faced with this "complication" of time, travel in space are a few: two stories, past and future are to take place (with rare exceptions) to Tycallimholi, a small village imaginary but very precisely located in the northwestern quadrant of the island of Ireland, carefully placed in the map shown at the beginning of the book and clearly described in different terms of geographic content, among others, in the glossary at the end of the book valuable. [...]

Peter Guarnotta

Video - official presentation of the novel.

Pic Of Herpes On The Viginia

Sarah, life stolen

strangled and then raped. So ends the life of a 15 year old in the Italy of 2010. Victim of an ogre, good also to "act" on TV, a monster that was hidden in the family. Scazzi the sad story of Sarah, who gave Italy their breath for more than a month. It has been said around this time, it was dug in the life of a poor girl, "raped" by the press as well as also by his uncle. He spoke of his desire to escape from the village, his visits with older boys, facebook and dangers of the virtual world ... only missed bin Laden and Al Qaeda on the list of possible causes. Instead, the evil hiding in the family, as often happens, as it often is not reported. S'invoca the death penalty for his uncle .. all against the monster. But too easy to give all the responsibility on one person. I got the impression, of course based on what you can read in the newspapers and on television, that Sarah was a very lonely girl. Possible that you, mother, do not you ever noticed that there was a maniac in the family? And you, daughter of the monster, you really do not know anything, really wanted to sarah so well? The evil powers where there is more bad ... this girl lived in what context? and how little seriousness in that host brother, who yesterday went to "live life" .. change the channel I was mistaken for one of the escapees reality from the X factor, then I knew. What a strange family to a mother sarah .. "impasse" even when the live TV show the killing of his daughter, a brother who talks about the death of his sister as the most natural thing in the world. Mah. We are not here to do jobs, the more that we are "outside" of what happened, we can only reflect on what we see .. reflect on these times of solitude, the solitude that made a girl sarah unheeded, alone, solitude that sarah will never see a sunset, no one can enjoy the embrace of a boy to the movies, the satisfaction of a goal the school will no longer cry and laugh at this absurd world.